11:00 am
Welcome
Christine Poggi, Judy and Michael Steinhardt Director
Institute of Fine Arts, New York University
Michele D. Marincola, Chair of the Conservation Center, Sherman Fairchild Distinguished Professor of Conservation; Conservation Center of the Institute of Fine Arts, New York University
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11:15 am
Time-based media art conservation at the Conservation Center of the Institute of Fine Arts, New York University: curriculum implementation, networks, collaborations
Dr. Hannelore Roemich, Hagop Kevorkian Professor of Conservation; Conservation Center of the Institute of Fine Arts, New York University
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11:40 am
12:00 pm
Professional development, outreach, and online resources
Christine Frohnert, Research Scholar, Time-based Media Art Conservation Program Coordinator at the Conservation Center of the Institute of Fine Arts, New York University; Bek & Frohnert LLC, New York
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Spotlight on new talents – perspectives from recent graduates and advanced students at the Conservation Center of the Institute of Fine Arts, New York University
Taylor Healy, Smithsonian Postgraduate Fellow in the Conservation of Museum Collections at the Smithsonian Institute, Washington, DC
sasha arden, Time-based Media Conservator, New York
Erin Fitterer, Mellon Foundation Fellow in Time-based Art Media Conservation at the Conservation Center, Institute of Fine Arts, New York University
Felice Robles, Mellon Foundation Fellow in Time-based Art Media Conservation at the Conservation Center, Institute of Fine Arts, New York University
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1:00 pm
1:30 pm
2:15 pm
2:30 pm
2:40 pm
2:50 pm
3:00 pm
3:15 pm
3:30 pm
Break
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Spotlight on new talents – perspectives from current students at the Conservation Center of the Institute of Fine Arts, New York University
Josephine Jenks, Mellon Foundation Fellow in Time-based Media Art Conservation; Rachel and Jonathan Wilf Fellow in Time-based Media Art Conservation at the Conservation Center, Institute of Fine Arts, New York University
James Hughes, Mellon Foundation Fellow in Time-based Art Media Conservation at the Conservation Center, Institute of Fine Arts, New York University
Caroline Carlsmith, Mellon Foundation Fellow in Time-based Art Media Conservation at the Conservation Center, Institute of Fine Arts, New York University
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Introducing TBM to graduate students in conservation and adjacent fields
Christine Frohnert, Research Scholar, Time-based Media Art Conservation Program Coordinator at the Conservation Center of the Institute of Fine Arts, New York University
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Beyond graduation – a paper conservator’s perspective
Lisa Conte, Head of Conservation at the 9/11 Memorial and Museum, New York
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Art history meets digital preservation - an emerging professional’s perspective
Samantha Rowe, Digital Archivist and Research Associate, The Wildenstein Plattner Institute, Inc.
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TBM conservation needs in Eastern Europe – a curatorial perspective
Lilia Kudelia, Independent curator and Guest Curator of the Young Visual Artists Award program at Residency Unlimited, New York
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Reflections on training for and entering into the TBM conservation field
Lia Kramer, Mellon Foundation Fellow in Media Conservation at The Museum of Modern Art, New York
General Q & A; Concluding remarks
Adjourn
July 1, 2022
11:00 am
11:10 am
11:25 am
11:40 am
11:55 am
12:10 pm
12:25 pm
12:40 pm
1:00 pm
1:30 pm
1:45 pm
2:00 pm
2:15 pm
2:30 pm
2:45 pm
3:00 pm
3:15 pm
3:30 pm
Welcome Back
Dr. Hannelore Roemich, Hagop Kevorkian Professor of Conservation; The Conservation Center of the Institute of Fine Arts, New York University
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Conservation documentation in theory and practice
Dr. Brian Castriota, Time-Based Media Conservator National Galleries Scotland
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Unpacking Exhibition
Kate Lewis, Agnes Gund Chief Conservator, The David Booth Conservation Department, The Museum of Modern Art, New York
What a contemporary art conservator needs to know about audiovisual preservation
Peter Oleksik, Media Conservator, The David Booth Conservation Department, The Museum of Modern Art, New York
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Coding for Conservators: Preparing Time-based Media Conservators to Care for Software-based Art
Deena Engel, Clinical Professor Emerita, Department of Computer Science, Courant Institute of Mathematical Sciences, New York University
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ART WITH A PLUG - Development of remote teaching modules
Scott Fitzgerald, Industry Associate Professor, Co-Director of Integrated Design & Media, Global Network Arts Professor, Tandon School of Engineering, New York University
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Developing a Museum Fellowship Program in Time-based Media Conservation
Amy Brost, Assistant Media Conservator, The David Booth Conservation Department, The Museum of Modern Art
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Beyond the classroom - teaching TBM skills in the studio
Reinhard Bek, partner of Bek&Frohnert LLC, New York
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Break
Beyond the classroom – opportunities for research during summer placements
Jessica Walthew, Conservator, Cooper Hewitt, Smithsonian Design Museum
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Beyond the classroom – mentoring pre-program candidates and emerging conservators
Briana Feston Brunet, Time-based and Variable Media Conservator, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
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Modern Materials and Media: The Contemporary Art Conservation Program at the Bern Academy of the Arts
Martina Haidvogl, Lecturer in Conservation of Contemporary Art at Bern Academy of the Arts
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Approaching TBM art conservation education at the University of Amsterdam
Dr. Sanneke Stigter, Assistant Professor Conservation and Restoration of Cultural Heritage, Specialisation Contemporary Art Conservation, University of Amsterdam
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Approaching TBM art conservation education at the A...kademie der bildenden Künste
Carolin Bohlmann, Institute for Conservation-Restoration | modern & contemporary art, Vienna, Austria
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Approaching TBM art conservation education at Escuela Nacional de Conservación, Restauración y Museografía-INAH, México
Ana Lizeth Mata Delgado, Professor, Seminario Taller de Restauración de Arte Moderno y Contemporáneo at the
Escuela Nacional de Conservación, Restauración y Museografía - Instituto Nacional de Antropología e Historia, México
Diego Mellado Martínez, Studio Daniel Canogar Spain - US
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Establishing a new degree in the Conservation of Contemporary Art and Media at UCL
Pip Laurenson, Professor of Conservation, University College London
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